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Despite its easiness, "Stand Up" does manage to keep your interest and pull you back into the album, especially after the not-quite-there "Blow it Out" almost makes you do just that. Lead single aside, the order of tracks on the album probably should've been reconsidered, because after the excellent "Southern Fried Intro" -which features some hard rhyming over a near replica of Burt Bacharach's "Walk On By" as done by Isaac Hayes- there's quite a bit of stumbling before you get to the surefire, unskippable portions. Alas, "Stand Up" just feels too easy, for lack of a better analogy. It's just that we already know Luda's at his best when the track is rockin' and all he has to do is elevate his rhyming to match what the beat is trying to say. The music behind "Stand Up," however, is substantially bare-bones with Ludacris' lyrics providing all of the winding, thrilling excitement we'd expect. An example of this anticipation factor comes in the form of the lead single, "Stand Up." Produced by the Roc's Kanye West, this single came on the heels of 2 Fast 2 Furious' theme "Act a Fool" - a thumping tune that many Ludacris fans expected to be indicative of what was to come on Chicken N Beer. In fact, much of the attitude throughout Chicken N Beerseems to be that if you don't like that last track, hey you might like the next one, but you're not gonna deny that Ludacris had you listening on the edge of your ears, just waiting for him to give you that next reason to giggle, chortle or guffaw. To this end Luda's crossed the into the realm of bonafide superstar, so taking this album to showcase the talents of his Disturbing the Peace crew and up and coming producers is one of the byproducts of that success.
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He's always got a greasy sack full of punch lines, pop culture references and silliness ready to drop whether it's on his album or the pop singer of the moment's latest single. This is the major reason why Chicken N Beer doesn't have to be chock full of 20 runaway hits. The thing with Ludacris is that his clever and humorous flow will work with virtually any type of music, whether it's a party tune, wannabe player/gangster/pimp anthem or what have you. The one-shot production contributors on Chicken don't come with nearly the same quality of hits that we saw out of Timbaland and Swizz Beats on Mouf, but you have to hand it to Luda for sticking to his formula of mixing an unmistakably dirty dirty sound with some non-Dixie influences. No matter what the song, Ludacris steps to the mic like he’s onstage in front of thousands, and no matter what he’s doing on Chicken-N-Beer, he always makes sure it’s a performance.You can't call it a sophomore slump because Chicken N Beer is Ludacris' third outing on Def Jam South and the album that's supposed to continue the wild success and party-ability of the smashing Word of Mouf. “Blow It Out,” “Stand Up,” and the nothing-but-punchlines “Hip-Hop Quotables” are definitive Ludacris: pranking us, himself, and everything in between with a bellow that is equal parts country preacher, irate Grandpa, and radio shock jock (Luda got his start as a DJ on Atlanta’s Hot 97.5 FM).
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He was could switch up his flow for some good-and-raunchy love songs (“Splash Waterfalls”) or Southern-cooked funk (the indelible “Diamond in the Back, an interpolation of William Devaughn’s anthem “Be Thankful For What You Got”), but he is always at his best when the track is bouncing hard and he is free to let it rip. He had completely grown into his persona as the loudest and most lovable mouth in the South, and was stomping across tracks with the tail-swinging ferociousness of a T. Everything came together for Ludacris on Chicken-N-Beer.